A bit late in writing my post on the Cascade Writers one-day workshop, The Business and Craft of Writing, that happened last weekend. I had a great time meeting up with some old friends and making new ones.
I like the one-day format because it’s a lot of information, but isn’t as draining as a 3 or 4-day workshop. Being within driving distance helps. We were fortunate to be graced with the presence of authors Spencer Ellsworth and Mark Henry, as well as agent Sara Megibow. They each offered something different to the workshop, which lent it a nice feeling of depth.
Admittedly, I primarily went for the opportunity to practice my pitch with Sara. It went pretty well, and she gave me some tips on how to focus my pitch better. This was interesting for me as she wanted pitches with a tighter focus than other “formulas” I’ve seen online that were more summarizing/broad. I still need to play around with it, and come up with a few versions/lengths for different circumstances.
The programming was great because I thought that Sara covered a lot of the business/publishing side (duh), which is in its own way more straight forward and no nonsense. As she put it, there are two circles in writing: the art of writing circle, and the business of publishing circle, and they cover distinct aspects of the process. I need to start reading more of the current releases in my genre. *looks mournfully at stack of new YA books*
Mark sort of bridged the gap between Sara and Spencer. His programming (to me) seemed more career/life-oriented, complete with war stories from his writing career thus far. He went over how to manage social media, ways to reach and keep your audience engaged, and in a sense how to not burn out when you reach that inevitable point. If only it were sunshine and roses after getting that initial acceptance, whether that’s an agent or a book deal or whatever.
Spencer covered more of the craft component, with sessions on pacing and dialogue, complete with handouts, a whiteboard presentation, and several film clips. I missed part of the dialogue session because my pitch appointment fell during it, but the pacing segment also included dialogue and how the two work together to progress the story. I liked this approach and the use of film clips because they were great visual examples expressing how good dialogue does what we want it to: reveal character, move the story forward, be entertaining, etc. That programming might be enough to tip me over the edge into watching The Wire. Maybe. Drug dramas aren’t really my thing. I watch Food Network for a reason.
An interesting part of this workshop was that we pretty much stayed together as a group the entire day. Meals were taken as a large group (20ish people) inside the hotel restaurant, which was nice…for the most part. I liked that we stayed together because it made it easier to chat with new friends and the speakers in a relaxed environment without people having to break off into tiny groups (again, for the most part. The hotel restaurant wasn’t really set up to accommodate all of us). The not-so-great part was that the La Quinta restaurant food, while ok, was served at a snail’s pace. It took so long for our lunch orders to come (and we were basically the only people eating at the hotel) that it threw the programming schedule off. Dinner was only marginally better, despite our group number going down as some people had left early.
Still, a fun and informative day. My novel is plugging along, though I don’t know if I’ll have a polished enough draft to submit to Sara, who graciously offered to take the first 50 pages if the manuscript is complete by June 1st.